Keeping an Eye on Metallurgy Indicators of Aluminum Producti
The manufacture of aluminum is a highly complex and demanding process. There are several roadblocks that producers have to face every step of the way. Producers also face disputes that they come across during the production of the task, which involves the total use of high–capital intensive machineries, best product quality, and proper information flow in the vast production site. Furthermore, the problems that arise from all the factors external to the organization consist of the unstable nature of prices of both inputs and outputs, big amounts of prices acquired in production and transportation, unpredictable environmental concerns, and the long processing time of raw materials, all of which are signifying an outright call for the need of metallurgy indicators.
The complexities of the processes' courses add up to the already huge puddle of dilemmas, which is already overflowing with parallel issues. The management is required to provide a safe place where shop–floor workers can work in, assuring that measures of unforeseen events are right on standby whenever the situation arises. Above all, there is great competition that rivals most companies in this domain face daily.
Because of all these potential failure points, the need to find the best metallurgy performance indicator grows more and more every day. A performance management indicator is essential in watching over the effectiveness of running the organizational operations both concerning the external as well as the internal factors. The indicators of the performance management tool aid in quantifying every single facet that counts. For example, KPIs launch viewpoints on Financial, Production, Inside Processes, Natural Occurrences, and Employee Management, and they formulate important and logical parameters in each of the above–mentioned areas.
In the financial area, the Return Capital Employed, Operating Profit, Free Cash Flow, and Revenues metrics can all be used for measurement. Production can be itemized by subsequently using parameters, such as the amount of metal production, the cost of the generated materials, percentage rate plunge in metal losses, percentage rate inventory turns. and quantity of sectors served. Finally, the degree to which the organization is attending on matters concerning the environment can be measured by identifying the decrease seen in the emission of harmful substances or chemicals, such as PFC and fluoride.
When all is said and done, a sense of equability and standardization can be injected into the process by putting the concept into action. This encourages stirring in a synchronized and coordinated fashion, preventing wastage of human efforts and resources. Also, among the most important benefits that can result from using a performance management tool is an improved flow of communication and information among all the members of the organization. The target values hidden neatly in the parameters will greatly help in giving a countable perspective, even to the angles which were initially thought to be of qualitative nature.
Thus, the task is simplified and objectivity in viewing the scenario is achieved with the help of metallurgy indicators. This eradicates the assumptions and probability views that are often adopted in the culture, and thereby proceeds in changing and improving the process of aluminum production in a general manner. To sum it all up, performance management indicators are the tools that need to be followed, especially in organizations dealing with disequilibrium in the financial and non–financial areas.
Indian Handicrafts - The Historical Journey
Handicraft is said to be the article that is made entirely with hands
without any aide from the modern technical equipment. India is a land
where making handicrafts had started around 5000 years ago. Though some
weapons and utility items had already been made even before this period
but we can not take them as handicrafts because they were made out of
compulsions. The story of arts and crafts of India is long and
interesting. This saga walks past through thousands of years to the
millions of Square kilometers of area. Indian Handicrafts traditions
have revolved around some specific factors like religious beliefs, local
needs of commoners, local needs of the patrons and royalty and a
special focus on domestic and foreign trade.
First archaeologically proved traces of Indian handicrafts belong to the Indus Valley civilization way back in 3000 B.C. During this time Indian craftsmen were doing excellent job in pottery making, bead making, terracotta, jewelry and weaving. The most significant aspect is the technical advancement in the handicrafts field at this time. The archaeologists have excavated many sites like Harappa, Mohenjodaro, Lothal, Chanhudaro, Kotdigy, Dholaveera etc. and they have found numerous artifacts that manifest the skill of the craftsmen at that time.
In Vedic age (1500 B.C. to 700 B.C.) too a lot of advancement in handicrafts had taken place. There is reference of pottery making, weaving wood crafting etc in the Vedas. Rig Veda especially mentions about pottery made from clay, wood and metal. Weaving and weavers also find the reference in these holy texts. In the later Vedic period the principal development was the discovery of iron. This led to the manufacture of iron weapons on mass scale. Craftsmen got a huge exposure and the crafts traditions started to be entrenched in the social structure.
During Maurya period Indian handicrafts reached to perfection in certain art forms especially in stone crafts. After the great transformation of Ashoka from a hardcore imperialist to Buddhist reformist, numerous activities indulging the craftsmen began. It is said that not less than 84000 stupas were build during the reign of Ashoka. Most prominent stupas whose remains are still available are located at Sanchi, Bharhut, Vaishali, Amaravati and Mathura. Similarly the iron pillars of Delhi and Vaishali are the marvelous examples of metallurgy.
In the period followed by the Mauryan, an assimilation of regional influence took place in Indian arts and crafts. Since this period in Indian history was that of political turmoil, not a single dynasty could rule over India for a long time. The attacks of Indo-Greeks, Indo-Bactrians, Shakas and Kushanas made Indian scene topsy-turvy. Handicrafts of this age have direct influences of these invasions from central Asia and other regions. Buddhist sculptures belonging to this age found at Taxila, Begram, Swat Valley, Bamiyan etc. depict these influences clearly. Buddha with curly hair and wrapped in draperies was the result of Greek influence. The main crafts which got maximum influence of the Central Asian invasions were jewelry, sculpture, textile making, leather products and the metal works.
Gupta age has been called classical age of Indian history by historians. The art and crafts domain was also greatly affected by the political stability, efficient ruling, capable administration and the consistent patronage of art and crafts. Fascinating murals of Ajanta and the significant development in the technique and art of sculpture, jewelry making, wood carving stone carving and weaving were the highpoints of this age. Development in science, astrology, astronomy, mathematics, literature and physiology were the other greatest achievements of this time. Stone sculpture and metal sculpture were made maintaining the high standards. The rock cut temples of Ellora are the astonishing examples of stone craft. This structure raises the standard of Indian Crafts to the towering heights.
During Medieval period the onus of development in arts and crafts had been shifted to the southern peninsula of Indian subcontinent. The Chola Empire and Vijaynagara empire wholeheartedly supported the trade and commerce based on the art and crafts of the local artisans. The temples with numerous intricate details were carved. Gems and jewelry was given immense importance. Bronze sculpture and silk weaving craft reached at its zenith. In the Northern region of India, under Delhi Sultanate, the art of pottery making, weaving, wood carving, metal works and jewelry was also flourishing. Under the patronage of Mughal Empire, the art and science of architecture reached to the starry heights. Painting saw its zenith under the emperors Akbar, Jahangir and Shahjahan. School of Mughal paintings influenced other regional painting schools too like Pahari School of Painting, Rajput School of Painting, Kota School of Painting, Boondi School of Painting etc. The art of weaving also flourished during these times. Metallurgy covered several milestones during medieval period and several battles were fought using highly advanced technology in the guns and canons by the standard of that time.
Thus since Indus valley civilization to the 18th century A.D., Indian Handicrafts evolved to high levels of the perfection and skill. Craft traditions became an integral part of the lifestyle of the people of India. Some handicrafts became the identity of the people as the caste system in India reserved some handicrafts to certain castes. The people of these castes worked hard to put the innovation and creativity in to the handicrafts as this was the only means for their sustenance. This aspect contributed in the prosperity of the crafts. New techniques were evolved to strengthen the liking ness of the handicrafts in the eyes of their patrons.
Making of Gold
ATOMIC HIGH-SPIN TECHNOLOGY: - In 1950 B.C. there was a
priest-king in Salem who understood the 'highward fire-stone' according
to Gardner in 'Genesis of the Grail Kings'. His name was Melchizedek,
and there is a secret or inner sanctum group of Mormons who follow his
lead. The Mason (Joseph Smith was a 33rd Degree Mason, Brigham Young was
a Mason too.) who founded this religion followed a path tred frequently
in the expansion of esoteric manipulation. It continues to this very
day with the OTO offshoots, Scientology and many other cults who believe
in some very 'freaky' things. Most of the lay people will never get to
know the ulterior motives of those who lead such organizations. The
whole of the United States is one of their experiments according to many
authors who have done excellent research in the matter. We will leave
that portion of the issue until the next segment even though it isn't
much of a 'mystery'. There are many things a reader should consider
before jumping (or attempting to) across that chasm.
"As to why the fire-stone was called 'highward' by the ancient Mesopotamians, we shall now discover as we enter the realm of high-spin metallurgy. {Solomon was a very adept person in metallurgy and other things of this order known as Rosicrucianism or Christian 'mystery schools' of the Masonic 'octopus'. I use 'octopus' as a way of trying not to have to list names and titles that would fill this book.}
THE TRANSMUTATION OF GOLD
Before commencing this section, it must be stressed that because of the potentially dangerous nature of an enterprise which deals with high-spin atoms, the explanations will be purposefully veiled and guarded. The following is, therefore, presented as a general overview, without detailing specific weights, temperatures, conditions or laboratory burn-times. This will prevent any ill-advised experimentation by unqualified enthusiasts and will avoid the contravention of prevailing international patents which govern the practice. {Yes, Modern science is able to do the alchemical 'Great Work' as a purely physical thing now.}
To begin, we should consider statements concerning the Philosophers' Stone made by the alchemists Lapidus and Eirenaeus Philalethes: 'The Philosophers' Stone is no stone, but a powder with the power to transmute base metals into gold and silver,' (25) and,
The stone which is to be the transformer of metals into gold must be sought in the precious metals in which it is enclosed and contained. It is called a stone by virtue of its fixed nature, and it resists the action of fire as successfully as any stone - but its appearance is that of a very fine powder, impalpable to the touch (imperceptible, like talcum powder), fragrant as to smell, in potency a most penetrative spirit, apparently dry, and yet unctuous, and easily capable of tingeing a plate of metal. The stone does not exist in nature, but has to be prepared by art, in obedience to nature's laws. Thus, you see our stone is made of gold alone, yet it is not common gold. (26)
Each of these testimonies refers to the enigmatic stone being, in actuality, a fine powder, and in talking of the precious metals within which the stone is contained, modern practitioners refer not only to gold and silver but also to those metals which comprise the platinum group. These metals, along with platinum itself, are palladium {Remember this when we get to cold fusion, under the Lithium heading.}, iridium, osmium, rhodium and ruthenium - and because of their ultimate strengths they are used in surgical, optical and dental instruments, crucibles and thermo-couples, machine-bearings, electrical switch contacts and all manner of precision devices down to the tipping of needles and pen-nibs.
The metal that, in jewellery manufacture, is commonly known as 'white gold' is an alloy of gold coupled with palladium, which is said to have been first discovered in Brazil, California and the Urals in 1803, and was named after the asteroid Pallas in that year. Iridium, osmium and rhodium are also given the same date of discovery, with ruthenium following in 1843. However, the platinum-group metals were not truly discovered in the nineteenth century, this was at least one of them, namely iridium, was rediscovered, for iridium was originally a key fire-stone of ancient Sumer. Because of its bright silvery colour and the then non-invention of its latter-day name (applied in 1803 by virtue of its iridescence), the mysteriously described shining metal was long presumed from the old records to have been tin.
Iridium is a very rare element on Earth, but geologists have discovered its existence in quantities up to thirty times the norm in crust layers where extraterrestrial meteorites containing the substance have landed in the distant past. (27) Iridium is, therefore, not so uncommon outside our own planet {He later notes that rhodium and iridium make up 5% of the brain's clarified weight and suggests our alien ancestors needed it to maintain their power or Divine nature. This is one reason for eating live animal pineal glands to enhance psychic ability. If those 'animals' have some of their own DNA it is better; so you might know why they harvest fetal material from Scarlet Women now.} The Sumerians and ancient Egypt clearly knew about the properties of gold and of how to alloy it with other noble metals. The Master Craftsmen were adepts too in the workings of iridium, which just like gold, could be taken to the exotic 'highward' state of the 'shem-an-na'.
This means that they not only knew and worked with these metals, but that they understood the science of atoms and nuclei - for the 'highward' state of the white powder is only achieved through knowledge of the high-spin metallurgical experience. Only by understanding this part-physical and part-metaphysical science can one take a physical something and turn it into nothing by applying the principle of 0=(+1) + (-1). {The IO Torus, Logos and Harmonics are all associated}Interestingly, the high-spin powder of gold has a distinct effect upon the pineal gland {See entry on Thalami} and its increased melatonin production, while the equivalent powder of iridium has its similar effect on the serotonin production of the pituitary gland.
Although the current names of the platinum-group metals are relatively new to us, the metals themselves are far from new. Recent tests have shown that, by dry-matter weight, over 5 per cent of our brain tissue is composed of iridium and rhodium in the high-spin state. (28)
So, what precisely is the highward or high-spin state which converts these noble metals into an impalpable white powder? A normal atom has around it a screening potential - a positive screening produced by the nucleus. The majority of electrons going round the nucleus are within this screening potential, except for the very outer electrons. The nucleus goes to the highward or high-spin state when the positive screening potential expands to bring all of the electrons under the control of the nucleus. {Refer to Solid State chemistry and the work of Don Robins as it relates to 'scavengers', microphages in the genetic structure also have an effect that may be similar. Can the meta-mind attune these electrons and bring their forward and reverse spins into conjunction?}
These electrons normally travel around the nucleus in pairs - a spin-forward electron and a spin-reverse electron. But when these come under the influence of a high-spin nucleus {Is this a conscious act?}, all the spin-forward electrons become correlated with the spin-reverse electrons. When perfectly correlated, the electrons turn to pure 'white light' and it is impossible for the individual atoms in the high-spin substance to link together." (29)
Whether or not they can do these things today: they (Alchemists or Rosicrucians of the Great White Brotherhood of Master Craftsmen) certainly have done such things in the past. Did they learn the process from the remnants of a previous 'modern' human? That seems more likely to us than the alien explanation they want us to accept. Was there a program to keep these things super secret? There certainly should have been. In Morning of the Magicians Pauwels and Bergier tell about a meeting they had with Fulcanelli as well as a presentation he made to the Paris Academy of Sciences. One of these authors was a member of Heisenberg's team of scientists working on splitting the atom and the other was the editor of 'Earth' magazine. Fulcanelli warned about the dangers of the atomic forces that science was about to unleash and he explained how the Cathedrals were constructed to include the knowledge they were seeking. I've read his book which purports to include the keys to this knowledge. It is extremely cryptic in nature but I think if one was to be able to create the green vitreole of the stained glass windows (no easy art, but available in other places) then it might be true.
If these things are the explanation for Sodom and Gomorrah, or the vitrified rocks then we have some real concerns to address about our leaders and their willingness to do one thing and say another. It is very unlikely that this knowledge has not been the object of secret agents and the desire of monarchs and others' concerns for many millennia. We know Crowley, Hitler, and guys like Barrett ('Secret Societies') join the likes of Bacon and Dee in these quests. Truly power does corrupt and we know that when a few people have the power to do these kinds of things, it will eventually become a factor. The present situation seems to indicate that many people will have access to terrific uses of technology and we must not be as naïve as the audience of Britannica was at the start of the 20th century when they wrote that torture was a thing of the past, as far as 'civilized' Europe was concerned.
